No thanks, close this window
Hi Klaus Sander, I recently listened to your track "Morning Flight" and spent some time listening. The production and overall feelings really stood out to me, it has a clear direction and does not feel like a casual release. The arrangement and sound choice especially give it a strong, placement ready vibe. Just wanted to reach out and say you're building something solid here. Always good to see intentional work on Broadjam. Are you currently focusing more on sync opportunities, streaming growth, or just creating freely at the moment?
Thanks for being interested. As a baby-boomer I am dedicated to compose in the hands-on-style when growing up instead of today's computerized mediocre music scene. I do not use regurgitated AI material and just released my first album: Album One: Spotify URL https://open.spotify.com/album/6rOr teESdrAQqChUItlJ0S iTunes http://itunes.apple.com/album/id1856796879?ls=1&app=itunes 1
Hi Klaus, First of all, congratulations on releasing your first album. That's no small milestone, especially doing it your way and staying true to your craft. I genuinely respect that. And I completely understand what you mean about hands-on composition. There's a depth and intention in music written that way that simply can't be replicated by templates or trend-driven production. That authenticity is actually a strength, especially in sync. To be honest, the kind of music supervisors and ad agencies I work around are often looking for exactly that: real compositions with character, not algorithmic background noise. Now that the album is out, the important question becomes positioning. Not changing your sound, but making sure it's presented in a way that opens doors to film, TV, ad placements, and curated playlists that value instrumental craftsmanship. If you're open to it, I do be happy to take a proper listen through the album and give you a brief, honest assessment of: Which tracks are strongest for sync opportunities, Where they could realistically fit "film, documentary, brand spots, etc. What small adjustments (if any) would increase licensing potential And a clear strategy to move it from release to placement, by helping you pitch supervisors strategically the way that work No fluff. Just a focused plan tailored to your work. If that sounds interesting, let me know and I'll outline how I typically structure this so you can see if it makes sense for you. Best, Patrick
Thank you for the review of my Suzie Make A Choice... I listened and "starred" your Broken Heart Song and There Are Times... very nice stuff, elegant performances.
OOPS sorry for the incomplete review, Klaus. I forgot the numbers!
Kate, thank you so much for your thorough review of "There are Times." I agree wholeheartedly with the repetitiveness. I took out the repeat and added one more verse: There are times all dreams are broken There are times the mountain is too high There are times you see a sky lark soaring Flying free up in the open sky.
Hi Klaus, Thanks so much for the review of "I Like His Kinda Luvin". My wife Jane wrote the lyrics for that one and we both appreciate you taking the time to listen and provide detailed and meaningful feedback! Thanks again... be and stay well, Frank & Jane
Hi Klaus , thanks for the great review of Wondering . I guess this one could have several different arrangements , but I wanted to keep it simple . Thanks again for listening , Phil .
Hello Klaus. Thanks for the review of country Christians. My husband pastored a little country church in Florida for over 26 years. I wrote this song about them. Mrs Kate
Hi Klaus, Thanks for the review of "Take Me Back". That's an older one that featured quite a few different artists. I appreciate you taking the time to listen and provide positive and useful feedback. Be and stay well, Frank
Hi Klaus, Thanks for the review and comments on "Find Yourself". Old tune written when synth sounds were the new rage. Bill
Hello Klaus. Thanks for the review of bushwhacking blues. It's a true story. Your friend in Indiana, Mrs Kate
Hi, Klaus. "Wings" is a pleasant, pastoral tune that flows beautifully, builds slowly and elegantly. I can imagine it as an opening piece for a movie. John
John, thanks so much for your kind review. There is always a sparkle of meditation involved in my compositions.
Koans, Thank You for your review of "The Selkie"... can you tell I am a storyteller?... I love the story and I will say I agree it is a little long... but already on a cd again thank you... in music Delta🎶🎶🎶
Klaus, Thanks for the review of "Wide Eyed Child". An old tune... Bill
Hi again Klaus, Thanks for the review of "Mambo Dance". I appreciate your perspectives on that one. I agree that I could/should have developed the melodies a bit more as the song progressed. One of the primary limiting factors there was my own voice and singing ability. Thanks again... be and stay well, Frank
Hi Klaus , thanks for the lovely review of Fragile .
Hi Klaus, Thanks for reviewing m "I Love You All The Darkness In The Night". That's one of those songs that I forget I've got out there open to peer reviews, but I'm kind of glad I do. It was written as more of a "personal project" for and with my wife Jane. She wanted to record a song/message for her son, and we went to work n that one. Jabe was SO nervous when it came time for her to record her singing, but I think that she did a great job and showed tremendous courage getting through it... and even adding the harmonies and backing vocals! Thanks so much for your thoughtful and useful comments and perspectives. I especially thought your comment of minimizing the music to bring more attention to the message was insightful... I actually tried to do that but could/should have done a better job of it. Thanks again... be well, Frank
Thank you Klaus for your kind review of Goodbye My Friend. Much appreciated!
Steely Blue: WOW Cindy! Never thought I would sit through a 6:21 song. Gorgeous start. The song did not lose the beautiful tension till the end. Amazing! Klaus Sander
Hi Klaus, Thank you for a positive review of Between The Earth and the Stars. It's an interesting song, written by my former publisher, composed and demo'd by me, recorded in a Nashville studio, sung by a vocalist who was the Voice of Namibia and released in 2019. Not a major hit - as you will have gathered!! Bob
Hi Klaus, Thanks so much for taking the time to review my song "I Can Dream". I really appreciate the thoughtful/useful feedback and detail in your review. I'll check out some of your music soon. Thanks and be well, Frank
Thank you Klaus for your kind reviews of Lifelong Honeymoon and glad you liked it.
Thanks for the review of "Game Show". it was meant for sound booth music and has been placed.. thanks
Hey Klaus check your email please sir I sent you some update information
Hello Klaus. Talk to Nana started out as a pass the baby song. Meant for kid/family genre. Thank you for the review. Mrs Kate
I sent you a email with a google link to hear some music, check your email when you get a chance sir.
Gregory, Thanks so much for your terrific review of my song "In a dream". Would you be interested in cooperating, taking the song and run with it to reach the next level? We would need a top voice for this one.
Hello Klaus glad to hear from you. And yes I would love to do a collaboration with you on this piece of music. So let me know when you want to start. I do have some music on my page but its just some messing around I was doing. visit this site to hear some of my more current music; https://emastered.com/profile/G_Min or
Sorry this is the corrected site for my music; https://emastered.com/profile/G_Min or
for some reason it is posting the site incorrectly https://emastered.com/profile/G_Min or there is no space between Min and or it should be Minor
Forgot to mention that I signed an exclusive publishing contract with D.S.M. Producers, INC. , a WARNER/CHAPPELL MUSIC, INC. affiliate, to compose background music for movies and TV shows. My composition "A Sense Of Touch" got me the contract.
Ok...wow I'm very impressed...that's awesome. I knew there was something about your writing. I will definitely listen to A sense of touch.
Could we switch to e-mail? It makes it much easier to communicate and to transfer material. My address: Mozart602@aol.com
my email is gman0748@sbcglobal.net
Hi Klaus, Been trying to reach you but emails keep returning. Please send me an alternative email address please. grtz, Till
Klaus I admire the peacful music you create. Was blessed listening to several of your pieces
Janet, thank you for your nice comment concerning my compositions. Your song list is quite impressive. Clean recordings. Keep up the good work! All the best, Klaus
Thank You so much Klaus. I appreciate your kind words. All the best to you too! :)
Klaus, just listened through your playlist and I feel renewed, refreshed and musically centered. I love the way "In a Dream" fits with the other songs even though it's the only one with vocals. Hard to pick a favorite but Latin Delight and A Sense of Touch along with In a Dream are way up there. Glad I passed by.
Hi Jeff, here's a little note concerning your 6-pack success and 'chasing' Nick Fuse. You liked "In A Dream" some time ago. Actually, it was a collaboration with Nick. He wrote the lyrics to my song and yes, that's his voice. Congrats to both of you! Klaus
thanks for that note Klaus!
Hello Till, As always, great songwriting! Just a thought: "Asto mar Leaust Yn My" as an English version would have great potential, too. Best wishes, Klaus
Dear friend - as you speak, we are working on the lyrics. Marsha Kearns & I have been at it for a while now.... :-)
many thanks for your review of my track "treehouse"...i listened to your track"Mystic December Night", it gently carried me away! much respect...peace